I was on my itune’s listening to Ferry Corsten the other day, his Cream Fields compilation. It’s a glorious mix. Creating the most lucid and exhilarating sounds in my cortex I’ve ever experienced from any DJ save him and Tiesto. Towards the end of his mix I heard this amazing auditory trip: FB feat. Edun – Who's Knockin' (Ferry Corsten Remix). And I realized. How does Ferry Corsten get these tracks? How does he get the music so fast and such high quality.
And I came to a conclusion. There is something those who actually pay for music have over the pirates: The willingness of the producer. Ferry Himself is a producer, a good one.
Maybe if you are in the industry, or an audiophile, there is something to shit whole paying for music thing.
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